The Clearing

Singapore, 1998. At the peak of the Asian financial crisis, an ordinary family head to Sentosa island and face unknown terrors.

In this British folk horror, three siblings in a rural town stumble upon a local community centre and family secrets are unravelled.

At the end of the world, Max is desperate to be with the woman he loves. But his destiny lies less in some dystopian space odyssey than an Afrofuturist dream.

There’s a sinister presence living in the attic, and a young girl (Sandra Guldberg Kampp, Wildland) is torn by her desire for a local boy and her ties to something evil at home.

There’s a new born calf. It’s bleeding and screaming. A vet (Steven MacKintosh) is called in, but the locals treat him with suspicion.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.