Yorkshire Post: Newsagents with Dog

Grumpy Grandma is put in her place during wartime food demonstration

This amazing discovery shows how cinema advertising used to look in Bygone Britain - a truly nostalgic gem of a film for lovers of Britain's past

Adverts: romancing the world – and Ammanford - with golden rings and Scandanavian meat, leather soles and coal, Eve's soap and flowers.

The message for cinema-goers in Port Talbot, Neath and Briton Ferry is that they should shop local!

Step inside a local Edwardian store.

It don’t mean a thing if it ain’t got that bling… early silent cinema advert for a local business in Frome.

There is never a dull moment in this International Spy Game of foreign spies competing to trick their way into sixteen different embassies.

An Olympic Games hopeful bundles into a Leeds newsagents, only to be met by a new shopkeeper from The Smoke, bemused by the Yorkshire Post.

Tuning into the biggest consumer market for television advertising in Britain with Trident TV.

Butter, eggs, and lemons, what else could better evoke the healthiness of the countryside than this delicious traditional desert topping?

The great Western way of dog eat dog as opponents try to dynamite each other in their pursuit of what really matters in life, railways and money.

Headlining with the expulsion of South Africa from the Olympics in 1970, the Yorkshire Post sells itself as much more than a local paper.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.