Cornwall

Extremely rare insight in the role of a Hasidic woman, featuring a mother-daughter team who live in North London.

Jewish people - and a few Gentiles - muse on what it means to be Jewish in 1960s Britain

Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe

All good pals and jolly good company! A syndicate of Jewish pensioners from Southend celebrate their big win on the football pools.

A Jewish Eastender recalls growing up in poverty in the 1930s and being part of a community now long gone

An elderly Jewish man journeys to Nazi Germany to track down a refugee’s mother in this extraordinary drama

A special report looks into the preparations for the Queen’s Silver Jubilee and her subsequent tour of the South West.

The 1964 election of Liberal MPs in the South West is celebrated but beneath there is another side to the high level affairs of the Liberal Party.

If you weren’t a yuppy you were a yoppy on the government Youth Opportunities Programme aimed at placing sixteen to eighteen year-olds in the workplace.

On the eve of Friday the 13th the camera captures Cornish thoughts about superstitions.

Catalonia is one of the destinations in Lewis Rosenberg's original home-movie which features beaches, bullfights and Barcelona

This historic masterpiece, from Lewis Rosenberg, records one of the earliest Cornish surfing holidays ever captured on film

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.