We're No Angels

Punk rebellion and anarchy with Peterborough-based punk band The Destructors, six years after their formation.

Punks find their turf invaded by New Romantics in the final part of Captain Zip's seminal Video Trip.

This power-packed promotional film for the UK Subs also showcases the distinctive talents of unconventional writer and director Julien Temple.

The Kings Road punks go on a day trip - to 10 Downing Street! - in this edition of Captain Zip's Video Trip.

The Undertones and Stiff Little Fingers play live in this vivid music doc capturing all the vibrancy of the 1970s Northern Irish punk scene.

Female punks have fun boozing, smoking and talking in this fascinating film by London lifestyle chronicler Captain Zip.

An observational study of the activity around the arrival and departures at King’s Cross station

Explore London Zoo with one of its greediest residents, Sally the sparrow.

Humphrey Jennings and Harry Watt’s famous GPO film is an enduring example of British self-mythology; a hymn to London’s resilience that helped persuade America to join the war.

Join distracted onlookers at a protest “be-in” at Camden’s Roundhouse –alongside portraits of Lenin and a giant inflatable phallus.

Part of Wonderful London, the BFI National Archive’s programme of restored London travelogues, filmed in the capital in the 1920s.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.