The Clearing

Singapore, 1998. At the peak of the Asian financial crisis, an ordinary family head to Sentosa island and face unknown terrors.

In this British folk horror, three siblings in a rural town stumble upon a local community centre and family secrets are unravelled.

At the end of the world, Max is desperate to be with the woman he loves. But his destiny lies less in some dystopian space odyssey than an Afrofuturist dream.

There’s a sinister presence living in the attic, and a young girl (Sandra Guldberg Kampp, Wildland) is torn by her desire for a local boy and her ties to something evil at home.

There’s a new born calf. It’s bleeding and screaming. A vet (Steven MacKintosh) is called in, but the locals treat him with suspicion.

Harry Wallace, a student at Northumbria university, explains why Sean Baker's LA-set comedy-drama, about a transgender sex worker on the hunt for her cheating -ex, is worth your time. 

Daniel Craig talks to Mark Kermode about his acting career, from his early role in Love is the Devil through to the Luca Guadagnino directed Queer.

Adam Smith of Northumbria University explains why Andrea Arnold's coming-of-age story, about a girl who uses dance to escape, is his favourite film on BFI Player.

Noah Ball of Northumbria University explains why you should seize the chance to watch Nicolas Winding Refn's debut.

Kyle MacLachlan talks to BFI CEO Ben Roberts about working with David Lynch on the legendary series Twin Peaks.

Writer-director Laura Carreira talks to Nia Childs about her debut feature, On Falling.