Mitchell and Kenyon Fiction Offcuts

Mitchell and Kenyon capture comedian Tom E. Murray at Lizars Theatre in Edinburgh on 12 December 1904.

Eager crowds watch the trams go by, while a boisterous children's walking race raises smiles all round.

How did these Chinese gentlemen end up in a Blackburn basement?

Can you identify this street corner, or perhaps a young face in the parade?

Men mill around the bustling yard of a large workplace, perhaps a brewery?

An assortment of Edwardian workers, including many mischievous children who are far from camera-shy.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.