Francis Bacon: Paintings 1944-1962

A record of the famed sculptor’s 1968 Tate retrospective, accompanied by a fascinating narration by Hepworth herself.

Katrina McPherson’s dance film intimately tracks the frenetic movements of a solo dancer, accompanied by an electronic score by Philip Jeck.

An aptly playful profile of the experimental filmmaker, introduced by Keen’s alter-ego Dr. Gaz.

An analysis of the use of photomontage to distort meaning and create subversive and oppositional art, exemplified by the work of Peter Kennard.

This fascinating documentary charts the history of advertising from 1897 up to 1960 – as the era of the Mad Men took hold.

Performance artist Bruce Lacey’s singular take on the home movie, documenting the minutiae of family life from bath-time to toast-making.

Harry Wallace, a student at Northumbria university, explains why Sean Baker's LA-set comedy-drama, about a transgender sex worker on the hunt for her cheating -ex, is worth your time. 

Daniel Craig talks to Mark Kermode about his acting career, from his early role in Love is the Devil through to the Luca Guadagnino directed Queer.

Adam Smith of Northumbria University explains why Andrea Arnold's coming-of-age story, about a girl who uses dance to escape, is his favourite film on BFI Player.

Noah Ball of Northumbria University explains why you should seize the chance to watch Nicolas Winding Refn's debut.

Kyle MacLachlan talks to BFI CEO Ben Roberts about working with David Lynch on the legendary series Twin Peaks.

Writer-director Laura Carreira talks to Nia Childs about her debut feature, On Falling.