The Watermelon Woman

An 18th-century Bavarian community falls apart when the local glassmaker dies, in Werner Herzog's mesmerising drama for which he famously directed his actors under hypnosis.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

Ozu's comic pre-war feature about a professor who falls into the clutches of his audacious niece.

Takahashi finds a creative way to avoid doing his revision in Ozu's roguish comedy, reminiscent of Harold Lloyd’s The Freshman.

Graduate Okajima finds his old-fashioned beard makes life difficult in Ozu's comedy exploring the tension between tradition and modernity.

Yasujiro Ozu's cheerful comedy about the silliness of everyday chatter

In the tough suburbs of Paris, sixteen-year-old Marieme decides to reinvent herself when she joins a girl gang.

What if an immaculate conception took place in a South London household? Idris Elba stars in a subtle, thought-provoking and original family drama.

A traditional rite of passage ritual forms the backdrop for this tough and complex tale of closeted sexuality in South Africa.

Femi, a young British boy of Nigerian heritage, has to adapt to the new environment of inner-city London, in this outstanding, BIFA-winning drama from Shola Amoo (A Moving Image).

An 18th-century Bavarian community falls apart when the local glassmaker dies, in Werner Herzog's mesmerising drama for which he famously directed his actors under hypnosis.

An outstanding debut feature charting the emotional journey of a six-year old girl in the aftermath of her mother’s death in early 1990s Spain.

Kazuo Hara’s infamous and audacious documentary follows Kenzo Okuzaki, an ageing Japanese WWII veteran on a mission to uncover the truth about atrocities committed during the war in the Pacific.

Robert Altman revisits the 1930s city of his childhood, vividly recreating its jazz clubs, speakeasies, political corruption and lively crime scene.

Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel. In her first feature since 2008’s The Headless Woman, Martel creates a richly layered exploration of personal malaise.

In her final film, Agnès Varda offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.