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Annette Bening stars as a mum enlisting two friends (Greta Gerwig and Elle Fanning) to help her son navigate adolescence in Mike Mills’s comedy-drama.

An impressive ensemble cast populate Ang Lee’s riveting portrait of family life in 1970s America.

Two old schoolfriends join forces with an elderly neighbour to fence a shed full of weed, in this sprightly, easy-going British comedy.

Bong Joon Ho's Oscar®-winning box-office sensation is a darkly comic, twisty rollercoaster ride.

A genre-bending comedy about a frustrated and misanthropic newlywed who discovers certain feral impulses that land her in unlikely situations.

In the heart of the French Alps, a wayward teen finds his purpose in cheese – and discovers that maturity isn’t just for Comté.

Gerard Depardieu plays the young innocent who falls for the mysterious maitresse Ariane (Bulle Ogier), a leather clad dominatrix, in Barbet Schroeder’s controversial film.

Hailed as Britain's first black feature film, Pressure is a hard-hitting, honest document of the plight of disenchanted black youths in 1970s London.

With its highly charged hallucinogenic quality, its atmosphere of lush decadence, Pink Narcissus is a landmark of gay cinema.

David Bowie’s image and music gives brooding energy to this tale of a junkie sex-worker in 70s Berlin.

Engrossing tribute to London’s legendary Scala cinema, aptly subtitled.

A high-kicking tribute to The Dirty Dozen, which sees ten convicts offered amnesty if they undertake a deadly mission behind enemy lines.

Blending documentary and fiction, Alfréd Radok's remarkable film chronicling the Terezin ghetto was one of the first films to address the Holocaust.

Two Nigerian migrants dare to imagine a vibrant future outside of their confinement at a British immigration removal centre.

Audrey Tatou plays the shy waitress whose altruism leads to love, in Jean-Pierre Jeunet's BAFTA-winning hit romance.

Buñuel’s surreal, darkly satirical masterpiece about a group of wealthy dinner guests finding themselves inexplicably unable to leave the room.

Marina de Van’s deeply personal debut about a young woman's addiction to self-mutilation stretches the body horror genre in new ways.

Banned in Spain, condemned by the Vatican and celebrated at Cannes, Buñuel’s satire about an aspiring nun takes a stinging crack at society.