Sympathy for the Devil

A young man strives to provide a home for his pregnant girlfriend and their unborn child, in Mark Jenkin's mid-length precursor to Bait.

Yorgos Lanthimos directs this odd drama in which a group of people start a company where they impersonate the dead to help customers through the grieving process.

Simmering tensions between locals and newcomers in a modern-day Cornish fishing village reach boiling point in this hugely acclaimed British independent film.

Living in the sand dunes just outside the city of Timbuktu, a cattle herder and his wife find their peaceful existence disturbed by forces attempting to dictate their lifestyle.

Jeanne Moreau plays a jaded brothel madam caught up in the violent sexual awakening of Brad Davis' naïve young sailor in Fassbinder's fever dream of subversive eroticism.

A literary TV chat-show host (Daniel Auteuil) discovers the drawbacks to celebrity when he and his wife (Juliette Binoche) start receiving anonymous messages in the form of videos of their home and naively violent drawings.

Jean-Luc Godard’s extraordinary debut feature, an insouciant and iconoclastic crime film that paved the way for the French New Wave.

Jean-Luc Godard conducts an autopsy of love and the creative process, as a boorish film producer dismantles a seemingly strong marriage.

Anna Karina shines in Jean-Luc Godard’s critically acclaimed account of a Parisian woman's slow descent into prostitution.

Jean-Luc Godard’s acerbic and disorienting essay on the decline of Western civilisation, shot aboard the famously grounded cruise ship, the Costa Concordia.

Godard's playful tribute to the Hollywood pulp crime movies of the 1940s, executed with typically Gallic cool.

“The revolution is not a dinner-party.” Jean-Luc Godard's mix of mordant satire, pedagogical treatise, political tract, and pop-artwork.

Jean-Luc Godard’s venture into sci-fi pits secret agent Lemmy Caution (Eddie Constantine) on a mission to destroy the malevolent supercomputer, Alpha 60.

Jean-Luc Godard’s extraordinary debut feature, an insouciant and iconoclastic crime film that paved the way for the French New Wave.

Jean-Luc Godard conducts an autopsy of love and the creative process, as a boorish film producer dismantles a seemingly strong marriage.

“The revolution is not a dinner-party.” Jean-Luc Godard's mix of mordant satire, pedagogical treatise, political tract, and pop-artwork.

Jean-Luc Godard’s acerbic and disorienting essay on the decline of Western civilisation, shot aboard the famously grounded cruise ship, the Costa Concordia.

Anna Karina shines in Jean-Luc Godard’s critically acclaimed account of a Parisian woman's slow descent into prostitution.

A young man strives to provide a home for his pregnant girlfriend and their unborn child, in Mark Jenkin's mid-length precursor to Bait.

Yorgos Lanthimos directs this odd drama in which a group of people start a company where they impersonate the dead to help customers through the grieving process.

Simmering tensions between locals and newcomers in a modern-day Cornish fishing village reach boiling point in this hugely acclaimed British independent film.

Giulio Andreotti, arguably the most famous and notorious Italian politician of the post-war era, was Prime Minister in his country no less than seven times. Accused of corruption and Mafia involvement, this is far from stodgy history.

Living in the sand dunes just outside the city of Timbuktu, a cattle herder and his wife find their peaceful existence disturbed by forces attempting to dictate their lifestyle.

Jeanne Moreau plays a jaded brothel madam caught up in the violent sexual awakening of Brad Davis' naïve young sailor in Fassbinder's fever dream of subversive eroticism.