My Way Home

Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel. In her first feature since 2008’s The Headless Woman, Martel creates a richly layered exploration of personal malaise.

Kelly Reichardt's absorbing and beautifully composed western, set on the Oregon trail in the 1840s.

Yasujiro Ozu's elegiac final film charts the inevitable eclipse of older generations by irreverent youth.

A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece is a beautifully nuanced exploration of filial duty, expectation and regret.

Yasujiro Ozu’s beautiful domestic drama is piercing portrait of a marriage coming quietly undone in post-war Tokyo.

In a Japan recently devastated by World War II a devoted, near-destitute mother turns to prostitution to pay medical bills when her son falls dangerously ill.

A young man witnesses a violent crime at a gay cruising ground and becomes obsessed with the killer in Alain Guiraudie’s acclaimed mystery-thriller.

Jean Cocteau’s ravishingly restored 1946 film is a cinematic classic. “Five stars. [This] magical exploration of the fairytale is a compelling and bizarre masterpiece” – Peter Bradshaw, The Guardian

Apichatpong's Cannes prizewinner, about an ailing man revisiting his past, is a measured, lyrical evocation of mysterious beauty and quiet humanity.

Pier Paolo Pasolini directs opera singer Maria Callas in a vivid adaptation of Euripides' Greek tragedy.

Roberto Rossellini's acerbic but finally very moving masterpiece about marital crisis boasts great performances from Ingrid Bergman and George Sanders

Ozu's silent masterpiece follows two brothers as they try to outwit the local bully.

The second part of the revered Bill Douglas Trilogy follows Jamie as he ends up in a children’s home.

The first part of Bill Douglas’ poetic and profoundly stirring autobiographical trilogy, about an eight-year-old boy growing up in a Scottish mining village in 1945.

The second part of the revered Bill Douglas Trilogy follows Jamie as he ends up in a children’s home.

The first part of Bill Douglas’ poetic and profoundly stirring autobiographical trilogy, about an eight-year-old boy growing up in a Scottish mining village in 1945.

Robert Altman revisits the 1930s city of his childhood, vividly recreating its jazz clubs, speakeasies, political corruption and lively crime scene.

Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel. In her first feature since 2008’s The Headless Woman, Martel creates a richly layered exploration of personal malaise.

In her final film, Agnès Varda offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.

Kelly Reichardt's absorbing and beautifully composed western, set on the Oregon trail in the 1840s.

Yasujiro Ozu's elegiac final film charts the inevitable eclipse of older generations by irreverent youth.

A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece is a beautifully nuanced exploration of filial duty, expectation and regret.