Hostile

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

Made over 20 years ago, this exploration of the lives of Mexican migrants and the cruelties of borders makes for equally urgent viewing today.

A study of the troubled, racist history of the American South and its legacy.

Twenty-five years old and newly restored, Gary Oldman’s BAFTA-winning debut as writer-director remains a magnificent achievement.

Mark Jenkin follows Bait with this chilling, endlessly mysterious folk horror tale, beautifully shot on grainy 16mm.

Peter Brook’s Palme d’Or-nominated adaption of the classic novel by William Golding.

A closeted PE teacher reckons with her identity during Thatcherite Britain in Georgia Oakley’s delicate yet gripping BAFTA-nominated debut.

Set in London at the turn of the millennium, Reggie Yates’ hilarious debut feature takes us on a journey back to New Year's Eve 1999, reviving memories from the 90's garage scene and Moschino fashion for pure nostalgic cinematic joy.

Following his supernatural sojourns, Suspiria and Inferno, Argento steps back into the real world for a blood-soaked tale of murder and meta-textuality.

Director Alan Clarke examines the grim reality of borstal life in this searing remake of his previously banned television play.

Life begins at 70 for Mahin, who decides to shake her life up in this charming, quietly subversive tale from Iran.

Maggie Gyllenhaal gives a career-best performance as a kindergarten teacher who finds herself in an ethical quagmire after discovering the poetic talents of a precocious student.

Accompanied by his faithful assistant Mills (Jesse Eisenberg), self-proclaimed genius K. Roth Binew (Mike O’Connell) decides to go out in style following a terminal prognosis – staging a living wake.

The lives of two Oglala Lakota boys interlock in this coming-of-age drama set against the backdrop of South Dakota’s Pine Ridge Reservation.

Claire Denis' fully formed debut offers a child’s-eye-view of racial and sexual tension that bubbles with unspoken desires.