Hostile

Tatiana Huezo’s poetic documentary captures a holistic view of the rhythms of life in a remote Mexican village.

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

Twenty-five years old and newly restored, Gary Oldman’s BAFTA-winning debut as writer-director remains a magnificent achievement.

Mark Jenkin follows Bait with this chilling, endlessly mysterious folk horror tale, beautifully shot on grainy 16mm.

Peter Brook’s Palme d’Or-nominated adaption of the classic novel by William Golding.

A closeted PE teacher reckons with her identity during Thatcherite Britain in Georgia Oakley’s delicate yet gripping BAFTA-nominated debut.

Set in London at the turn of the millennium, Reggie Yates’ hilarious debut feature takes us on a journey back to New Year's Eve 1999, reviving memories from the 90's garage scene and Moschino fashion for pure nostalgic cinematic joy.

Following his supernatural sojourns, Suspiria and Inferno, Argento steps back into the real world for a blood-soaked tale of murder and meta-textuality.

A housewife-turned-cop is sucked into a high-profile case that has polarised the local community in this taut, north India-set thriller.

In Mai Zetterling’s scathing rebuke of European entitlement, a man returns to his childhood home and confronts his repressed memories and desire.

Three stage actresses starring in Aristophanes’ classic play Lysistrata start to draw parallels with their own lives in Mai Zetterling’s feminist comedy.

Three expectant mothers on a maternity ward recall their personal and sexual experiences in Mai Zetterling’s bold, subversive debut.

Thomas Clay’s unflinching story of teen drugs and violence scandalised the British film industry 20 years ago, but is arguably ripe for rehabilitation

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.