Diary for My Father and Mother

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.

Kathleen Collins’ debut feature about three brothers tasked with renovating an elderly woman’s mansion so she can host one last party before she dies.

Celebrated as the first time a woman (or a Hungarian) director was awarded the Golden Bear at Berlin, Adoption is a powerful statement on female agency.

A thoughtful, observational drama about a young woman’s fight to retain her integrity despite falling in love.

The first part of Márta Mészáros' award-winning autobiographical Diary trilogy, set in Hungary from 1947 to 1953.

The second part of Márta Mészáros’ triumphant Diary trilogy focuses on Juli starting to realise her dream of becoming a director.

The first screen adaptation of Bruno Schulz’s novella is an opulently strange trip through a Polish-Jewish looking-glass.

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.

Tatiana Huezo’s poetic documentary captures a holistic view of the rhythms of life in a remote Mexican village.

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.