Big Banana Feet

Tatiana Huezo’s poetic documentary captures a holistic view of the rhythms of life in a remote Mexican village.

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

David Thewlis stuns as the motormouth predator of Mike Leigh's divisive masterpiece.

Joanna Hogg's enthralling ghost story, featuring an astonishing performance by her regular collaborator Tilda Swinton.

Engrossing tribute to London’s legendary Scala cinema, aptly subtitled.

Dirty God director Sacha Polak and star Vicky Knight reunite for this daring drama about love, family and forgiveness, loosely inspired by Knight’s life.

A coming-of-age tale about a father-son relationship that might just be out of this world.

Dark and sinister forces invade a couple’s home in this wildly eerie British folk horror, with unflinching performances from Matt Smith and Morfydd Clark.

A housewife-turned-cop is sucked into a high-profile case that has polarised the local community in this taut, north India-set thriller.

In Mai Zetterling’s scathing rebuke of European entitlement, a man returns to his childhood home and confronts his repressed memories and desire.

Three expectant mothers on a maternity ward recall their personal and sexual experiences in Mai Zetterling’s bold, subversive debut.

Three stage actresses starring in Aristophanes’ classic play Lysistrata start to draw parallels with their own lives in Mai Zetterling’s feminist comedy.

Thomas Clay’s unflinching story of teen drugs and violence scandalised the British film industry 20 years ago, but is arguably ripe for rehabilitation

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.