Psychomania

A young solicitor, administering the will of a recently dead old lady, is drawn into a sinister web of events centring on her abandoned house.

Nothing is quite as scary as puberty in this exuberant feminist pre-teen body horror from first time Malaysian director Amanda Nell Eu.

Like Ghostwatch reimagined as a cheesy 1970s chat show, this deviously clever found-footage horror has scares to spare.

In Charlotte Colbert’s strikingly gothic film, an ageing actor recovering from a mastectomy taps into a mysterious power at a remote Scottish retreat.

Bringing a whole new meaning to the term ‘period film’, Andrew Cumming’s Palaeolithic horror movie is a true original.

Australian filmmaking brothers Danny and Michael Philippou’s feature film debut nods to their background as viral-video sensations.

David Lynch's moving true-life tale of the severely deformed Joseph Merrick and his rescue from the hell of a Victorian circus sideshow.

Hammer's 1958 version of Stoker's Gothic novel was the most exciting to date, boasting lavish costumes and sets, a vibrant score and red, red blood.

Classic Hammer horror of a reanimated ancient Egyptian mummy, who returns from his tomb to seek vengeance on its desecrators.

Meddling with nature has devastating consequences in Hammer's first Gothic horror, a visceral take on Mary Shelley's novel.

Bill Nighy plays the arch detective investigating a series of grisly murders around the music halls of Victorian London, in this pungent Gothic mystery.

"Can you spy him deep within? Little Possum. Black as sin." The reliably deranged Sean Harris is plagued by an evil puppet in this dark, brooding fable from Matthew Holness.

Joe Orton’s delicious slice of suburban perversity, in which Beryl Reid’s lascivious landlady and her gay brother attempt to seduce their psychopathic tenant.

Alice Lowe's time-jumping fantasy rom-com is a colourful, darkly funny treat.

An extraordinary story of survival in the wastes of Antarctica.

A desperate delivery driver gets caught up in the dark underworld of Riyadh in Ali Kalthami’s gripping, pitch-black satire.

John Pilger's film on the conflict in Northern Ireland is a skilful mix of investigative journalism, documentary storytelling and reflections on contemporary history.

John Pilger's portrayal of the oldest continuous human culture is also an investigation into a suppressed colonial past, and rapacious present.

John Pilger’s prescient 60th film for ITV is both a warning and an inspiring story of resistance.