At Last the 1948 Show (Series 2 episode 6)

Iris (Laure Calamy) disrupts her bourgeois routine by joining a dating app and embarking on an amusing, sensual quest for identity and lost desire.

Steve Coogan is superb as a disillusioned teacher whose life is turned upside-down when he rescues a penguin in turbulent 1970s Argentina.

French provocateur Alain Guiraudie's rural homecoming story mixing passion, crime, mushrooms and bedroom farce to dizzily involving effect.

A seductive and smart gay comedy set on a cruisy Greek island.

Jon drives his mums corpse across Iceland in Hilmar Oddsson’s darkly comic odyssey of self-discovery and acceptance, beautifully filmed in crisp black and white.

François Ozon’s witty 1930s farce about a penniless actress who finds fame while on trial for murder, featuring a riotous performance from Isabelle Huppert.

In his first substantial feature-film role away from the involvement of his Monty Python cohorts, Michael Palin stars as a 19th-century missionary tasked with setting up a mission for fallen prostitutes.

Terry Gilliam's first feature as a solo director, here gloriously restored, is a riotous tale of monsters, true love and medieval manners.

The very first show, featuring the debut delivery of the immortal linking line: ‘And now for something completely different...'

This incomplete episode features only the show’s opening and first sketch, plus a brief fragment of the lengthy ‘Judge Not’ sketch, with the remainder presented as audio-only or script.

Tim Brooke-Taylor and Bill Oddie share a sketch, while Marty Feldman's classic 'Bookshop' skit gets its first outing.

Highlights include Tim Brooke-Taylor's one-man battalion, Graham Chapman as a government minister literally falling to pieces and a four-handed ‘Cops in Drag’ sketch.

An incomplete episode that has been reconstructed with audio and scripts, but which features a video fragments of John Cleese's classic ‘Joke Shop’ sketch.

Containing the ‘The Willetts of Littlehampton’ sketch, which manages to send up both the period melodrama genre and the studio production process itself.

Musical comedy with John Cleese. In Singapore, 1948, the Song and Dance Unit tour their 'Jungle Jamboree' review.

An incomplete episode that has been reconstructed with audio and scripts, but which features a video fragments of John Cleese's classic ‘Joke Shop’ sketch.

Containing the ‘The Willetts of Littlehampton’ sketch, which manages to send up both the period melodrama genre and the studio production process itself.

Notable sketches include the return of Sydney Lotterby and the ‘Deaf Aids’ sketch, in this cherished and once-lost episode.

The first of the missing episodes that survived at Teddington Studios contains an outstanding Cleese/Feldman two-hander, ‘The Wonderful World of the Ant’.

An incomplete episode that has been reconstructed with audio and scripts, but which features a video fragments of John Cleese's classic ‘Joke Shop’ sketch.

A completely reconstructed episode sourced from Swedish TV compilations, ABC reels and audio recordings by Ray Frensham.

The very first show, featuring the debut delivery of the immortal linking line: ‘And now for something completely different...'

This incomplete episode features only the show’s opening and first sketch, plus a brief fragment of the lengthy ‘Judge Not’ sketch, with the remainder presented as audio-only or script.

Tense, morally complex political thriller about a man hunting down fugitive war criminals from the Assad regime in Syria, inspired by true events.

Tom Blyth and Russell Tovey lead a Sundance-prize winning ensemble in this knockout cruising drama from debut director Carmen Emmi.

Paul Kelly’s second collaboration with pop band Saint Etienne traces the hidden history of East London’s Lower Lea Valley before its Olympic makeover.

A gentle and sincere story of queer love between two young teenage boys, told with warmth and humour.

A journey from London’s suburbs to its heart, charting the influence of the city on indie pop band Saint Etienne.

The final part of Saint Etienne and Paul Kelly’s London trilogy follows the renovation and reopening of the Royal Festival Hall through 2005-7.