The Phantom of the Opera (1925)

A young solicitor, administering the will of a recently dead old lady, is drawn into a sinister web of events centring on her abandoned house.

Nothing is quite as scary as puberty in this exuberant feminist pre-teen body horror from first time Malaysian director Amanda Nell Eu.

Like Ghostwatch reimagined as a cheesy 1970s chat show, this deviously clever found-footage horror has scares to spare.

In Charlotte Colbert’s strikingly gothic film, an ageing actor recovering from a mastectomy taps into a mysterious power at a remote Scottish retreat.

Bringing a whole new meaning to the term ‘period film’, Andrew Cumming’s Palaeolithic horror movie is a true original.

Australian filmmaking brothers Danny and Michael Philippou’s feature film debut nods to their background as viral-video sensations.

Stunningly photographed drama about a young American boy caught up in the nightmare of a sinister rural community.

An author becomes convinced he's unearthed a feline conspiracy to control mankind.

A dying vampire swears vengeance on the townsfolk who killed him. The promise seems to have been realized when, years later, plague arrives.

An ageing countess finds that if she bathes in the blood of virgins her youth is restored.

Alice Lowe's time-jumping fantasy rom-com is a colourful, darkly funny treat.

An extraordinary story of survival in the wastes of Antarctica.

A desperate delivery driver gets caught up in the dark underworld of Riyadh in Ali Kalthami’s gripping, pitch-black satire.

John Pilger's portrayal of the oldest continuous human culture is also an investigation into a suppressed colonial past, and rapacious present.

John Pilger's film on the conflict in Northern Ireland is a skilful mix of investigative journalism, documentary storytelling and reflections on contemporary history.

John Pilger’s prescient 60th film for ITV is both a warning and an inspiring story of resistance.