The Boy Who Turned Yellow

Steven Spielberg’s luminous Roald Dahl adaptation boasts an enchanting performance from Mark Rylance as the Big Friendly Giant who befriends a little girl (Ruby Barnhill).

A pre-Porridge Ronnie Barker plays a dim-witted train robber up to no good in this steam-era comedy adventure for kids

With the series in full flow, the fifth episode showcases some splendid interplay between the team – plus some sumptuous mugging from David Jason.

Highlights in this episode include the terrific ‘Art Gallery’ sketch, with a Gumby-esque Terry Jones exhibited as a living art work.

As the series nears its conclusion everybody in the cast seems thoroughly at ease with each other, delivering both slapstick and cerebral sketches with smooth efficiency.

The last show of the first series sees everybody larking about somewhat.

Music hall veteran Jerry Verno stars as a lowly clerk who gets more than he bargained for, in Michael Powell's charming comedy.

Michael Powell’s earliest existing film is a twisty thriller crafted with a bold visual style that is unmistakeably influenced by Fritz Lang.

Michael Powell’s fun stage adaptation about a murder at a society party, with characterful performances from its fine ensemble cast.

Michael Powell's 'society drama’ involving clandestine romance and presumed murder, and glorious comic double-act from Googie Withers and John Lurie.

Michael Powell's 'society drama’ involving clandestine romance and presumed murder, and glorious comic double-act from Googie Withers and John Lurie.

Michael Powell’s earliest existing film is a twisty thriller crafted with a bold visual style that is unmistakeably influenced by Fritz Lang.

Music hall veteran Jerry Verno stars as a lowly clerk who gets more than he bargained for, in Michael Powell's charming comedy.

Michael Powell’s fun stage adaptation about a murder at a society party, with characterful performances from its fine ensemble cast.

An embittered bomb disposal expert is driven to drink in Powell and Pressburger’s compelling insight into the mental anguish of the alcoholic.

Like the gloriously camp, all-singing, all-dancing cousin of The Third Man, the Archers’ take on Strauss’s operetta of infidelity is as frothy as the champagne it celebrates.

Tense, morally complex political thriller about a man hunting down fugitive war criminals from the Assad regime in Syria, inspired by true events.

Tom Blyth and Russell Tovey lead a Sundance-prize winning ensemble in this knockout cruising drama from debut director Carmen Emmi.

Paul Kelly’s second collaboration with pop band Saint Etienne traces the hidden history of East London’s Lower Lea Valley before its Olympic makeover.

A gentle and sincere story of queer love between two young teenage boys, told with warmth and humour.

A journey from London’s suburbs to its heart, charting the influence of the city on indie pop band Saint Etienne.

The final part of Saint Etienne and Paul Kelly’s London trilogy follows the renovation and reopening of the Royal Festival Hall through 2005-7.