The Church

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Co-written with Céline Sciamma, Noémie Merlant’s bold film follows three friends as they dispose of the body of an abuser they’ve accidentally killed.

A twelve-year-old boy befriends a mysterious girl with a dark secret, in Tomas Alfredson’s grownup tale of childhood vampirism.

A modern-day witch uses spells and magic to get men to fall in love with her, in Anna Biller's outrageous tribute to 1960s Technicolor melodramas.

Old sins refuse to be forgotten in Romola Garai’s gothic horror and hauntingly atmospheric debut feature.

The allure of the serial killer is explored in this deeply unsettling and unforgettable exploration of the impact of extreme violence.

Dario Argento’s phantasmagoric gothic nightmare blends operatic violence, disorienting dream logic and hyper-real visuals to create a horror classic.

Unavailable for many years, the once lost finale of Argento’s so-called Animal Trilogy is a thrilling hint of things to come.

Dario Argento's protégé, Michele Soavi, made his directorial debut with this deliriously stylish slasher opus.

Michele Soavi's delirious and surreal satanic horror follows a teacher drawn into the schemes of an evil cult.

Boasting quite possibly his most iconic single image, almost certainly his most spectacular death scene, and indisputably his most insane ending, this is essential Argento.

Michele Soavi's delirious and surreal satanic horror follows a teacher drawn into the schemes of an evil cult.

Tatiana Huezo’s poetic documentary captures a holistic view of the rhythms of life in a remote Mexican village.

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.