Le depart

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

Co-written with Céline Sciamma, Noémie Merlant’s bold film follows three friends as they dispose of the body of an abuser they’ve accidentally killed.

A professor takes drastic action to silence a barking dog in this superb debut feature from Bong Joon-ho, the Oscar-winning director of Parasite.

Accompanied by his faithful assistant Mills (Jesse Eisenberg), self-proclaimed genius K. Roth Binew (Mike O’Connell) decides to go out in style following a terminal prognosis – staging a living wake.

Adam Driver excels in this effortlessly charming tale of a bus driver poet in New Jersey, filmed with typically groovy elan by Jim Jarmusch.

The last days of the Sun King, evoked with sombre beauty by Albert Serra. The legendary Jean-Pierre Léaud brings ineffable presence to the title role.

François Truffaut’s French New Wave landmark is one of the greatest movies about adolescence.

Naively idealistic and largely inept both in his dealings with women and in any job, Antoine clumsily courts Christine while working for a private detective agency.

In this typically ambivalent comedy from Truffaut, Antoine Doinel (Jean-Pierre Léaud) becomes a father... But is he mature enough for parenthood?

Truffaut adopts a detached, delicate tone in treating the troubled ménage-à-trois that develops between a young French writer (Léaud) and two English sisters in the early 1900s.

Separated from Christine and uncertain about his latest relationship, Antoine (Jean-Pierre Léaud) has finally written a novel inspired by his own experiences in this final chapter of François Truffaut’s series.

Jerzy Skolimowski’s darkly comic and utterly compelling story of teenage infatuation in a run-down swimming pool.

The joint winner of the Cannes Jury Prize, EO is a strangely wonderful tale where the dark and light of humanity is laid bare.

In Mai Zetterling’s scathing rebuke of European entitlement, a man returns to his childhood home and confronts his repressed memories and desire.

Three expectant mothers on a maternity ward recall their personal and sexual experiences in Mai Zetterling’s bold, subversive debut.

Three stage actresses starring in Aristophanes’ classic play Lysistrata start to draw parallels with their own lives in Mai Zetterling’s feminist comedy.

Thomas Clay’s unflinching story of teen drugs and violence scandalised the British film industry 20 years ago, but is arguably ripe for rehabilitation

Tatiana Huezo’s poetic documentary captures a holistic view of the rhythms of life in a remote Mexican village.

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.