Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.

Kathleen Collins’ debut feature about three brothers tasked with renovating an elderly woman’s mansion so she can host one last party before she dies.

A quasi self-portrait that was unfairly neglected on its release, this road movie is a profound musing on loneliness, displacement and the long shadow of the war.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

Song, dance and romance charge this joyous hair-salon set musical, but Akerman’s take on 80s consumerism is anything but frothy.

Surrounded by unpacked boxes, a man delivers an extended monologue on indecision and regret.

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

Naively idealistic and largely inept both in his dealings with women and in any job, Antoine clumsily courts Christine while working for a private detective agency.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

Chantal Akerman’s plays a manic heroine in her early, incendiary critique of domesticity and conformity.

A quasi self-portrait that was unfairly neglected on its release, this road movie is a profound musing on loneliness, displacement and the long shadow of the war.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

Akerman’s debut feature, with its 10-minute lesbian sex scene, revealed its maker to be a radical and uncompromising force in cinema.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

Tatiana Huezo’s poetic documentary captures a holistic view of the rhythms of life in a remote Mexican village.

Albert Serra’s hypnotic Palme d'Or-nominated drama about the greed and hypocrisy of colonial power in Tahiti.

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.