Shinjuku Boys

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

Akerman’s introspective apartment-bound reflection on isolation and confinement.

A hypnotic tour of a New York hotel that proves that nighttime is Akerman time.

A celebration of Akerman’s longtime collaborator, cellist Sonia Wieder-Atherton, showing her artistry as she plays and discusses her life in music.

This new video essay by writer and critic Jessica McGoff, traces the restless movement in the works of Chantal Akerman, where the concept of home is always slipping just out of reach.

All We Imagine as Light director Payal Kapadia’s bold and distinctive feature debut explores the political climate of contemporary India.

Park Chan-wook (Oldboy, Stoker) channels Sarah Waters’ novel Fingersmith, to create a sumptuous twisty psychological thriller full of erotic intrigue.

Amat Escalante follows Heli with a boundary-pushing, mind-blowing mix of sex, sci-fi and social drama.

Gripping account of repressed sexual desire in a masculine environment, with British newcomer Harris Dickinson as a virulently macho Brooklyn teen.

Gemma Arterton and Elizabeth Debicki relive a literary love affair, fiery and forbidden, with a remarkable legacy.

At the height of the Cold War, a love triangle between a junior officer, his best friend and a handsome fighter pilot enters dangerous territory.

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.