Leave the Edges

The cruelty of confinement and the struggle for liberation contained within in hand-drawn animation and archival footage.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Abstracted footage and audio of bombs dropping on Biafra in 1967 set against a speech by leader Chukwuemeka Odumegwu-Ojukwu, illustrates the ironies of post-colonial warfare.

A new formation of history that includes the fantastical as well as the political in the context of Britain’s decolonial process in Kenya and during the Cold War.

Important events like Tunisia’s Independence Day might be in the past, but we may need to access them in counter-intuitive ways.

An imagining of lost films from the Nigerian Film Unit archive, with distinctive soundscapes, juxtaposed with images of the abandoned interior and exteriors of the building that housed it.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.