We Do What We Can

Nostalgic snapshot of the town of Derby in the mid 1960s.

Country House offers naturists a way to air all.

“It would be difficult to find a more lovely train journey”, declares Swansea’s Librarian, the film-maker and narrator. Prepare to be beguiled, station by station.

Back to the bad old days of skinners, as worn by these Man. United troublemakers, being escorted by police dogs along that perilous walk from Elland Road to Leeds railway station.

An amatuer filmmaker takes a critical and somewhat tongue-in-cheek look at the changing face of Kingston upon Thames

A poetic response to the experience of the Coronavirus pandemic, drawing on the collections of 12 UK film archives.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.