Irma Vep

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.

Kathleen Collins’ debut feature about three brothers tasked with renovating an elderly woman’s mansion so she can host one last party before she dies.

Bi Gan's ‘destroyed film noir' is a dazzling dive into an immersive dreamscape.

Twenty-five years old and newly restored, Gary Oldman’s BAFTA-winning debut as writer-director remains a magnificent achievement.

Mark Jenkin follows Bait with this chilling, endlessly mysterious folk horror tale, beautifully shot on grainy 16mm.

Peter Brook’s Palme d’Or-nominated adaption of the classic novel by William Golding.

A closeted PE teacher reckons with her identity during Thatcherite Britain in Georgia Oakley’s delicate yet gripping BAFTA-nominated debut.

Set in London at the turn of the millennium, Reggie Yates’ hilarious debut feature takes us on a journey back to New Year's Eve 1999, reviving memories from the 90's garage scene and Moschino fashion for pure nostalgic cinematic joy.

Following his supernatural sojourns, Suspiria and Inferno, Argento steps back into the real world for a blood-soaked tale of murder and meta-textuality.

Jackie Chan's mind-blowing, high-octane extravaganza of death-defying stunts and action comedy.

The last days of the Sun King, evoked with sombre beauty by Albert Serra. The legendary Jean-Pierre Léaud brings ineffable presence to the title role.

François Truffaut’s French New Wave landmark is one of the greatest movies about adolescence.

Naively idealistic and largely inept both in his dealings with women and in any job, Antoine clumsily courts Christine while working for a private detective agency.

In this typically ambivalent comedy from Truffaut, Antoine Doinel (Jean-Pierre Léaud) becomes a father... But is he mature enough for parenthood?

Truffaut adopts a detached, delicate tone in treating the troubled ménage-à-trois that develops between a young French writer (Léaud) and two English sisters in the early 1900s.

Separated from Christine and uncertain about his latest relationship, Antoine (Jean-Pierre Léaud) has finally written a novel inspired by his own experiences in this final chapter of François Truffaut’s series.

Kristen Stewart reunites with Olivier Assayas to play an A-List celebrity's personal shopper, who keeps receiving strange text messages from an unknown source.

Stranded in a surreal winter landscape, a drunken applejack salesman must become North America's greatest fur trapper in Mike Cheslik’s gloriously anarchic slapstick comedy.

Guillermo del Toro’s Cannes prize-winning directorial debut offers a unique take on the classic vampire story.

Ayoka Chenzira’s vital coming-of-age comedy about three Black women living in Brooklyn learning to embrace life and exercise their agency.

A ferocious dystopian nightmare, this was the first film directed by a Black British woman to receive a UK theatrical release.

A philosophy professor and an artist reach a crisis point in their marriage, in Kathleen Collins’ groundbreaking masterpiece.

Bridgett M. Davis’s comedy about an aspiring young Black actress who lands her first major role, but there’s a big problem: it requires a nude scene.