Fiend without a Face

A pastor’s daughter in an isolated religious community kills her abusive husband, unleashing the force of a supernatural Beast.

A young solicitor, administering the will of a recently dead old lady, is drawn into a sinister web of events centring on her abandoned house.

Nothing is quite as scary as puberty in this exuberant feminist pre-teen body horror from first time Malaysian director Amanda Nell Eu.

Like Ghostwatch reimagined as a cheesy 1970s chat show, this deviously clever found-footage horror has scares to spare.

In Charlotte Colbert’s strikingly gothic film, an ageing actor recovering from a mastectomy taps into a mysterious power at a remote Scottish retreat.

Bringing a whole new meaning to the term ‘period film’, Andrew Cumming’s Palaeolithic horror movie is a true original.

Nicolas Roeg’s cult sci-fi stars David Bowie as an alien attempting to amass a fortune to save his home planet, but unable to escape his decadent earthly lifestyle.

Gareth Edwards reimagined the monster movie with his highly impressive DIY sci-fi, in which an indie romance blossoms amid the trailing tentacles of an alien invasion.

Amy Adams and Jeremy Renner star as the humans who make first contact with extra-terrestrial visitors in this richly textured sci-fi from director Denis Villeneuve.

Aliens wage war on a tower block after one of their number is bludgeoned by a street gang in this witty, action-packed feature debut by Joe Cornish.

Peter Cushing fires up the Tardis for the Doctor’s big-screen debut, as he and his companions travel to a devastated planet ruled by the Daleks.

In a far flung future, the monstrous metallic Daleks are inhuman alien overlords of Earth. Can interplanetary time traveller Dr Who thwart them?

Tense, morally complex political thriller about a man hunting down fugitive war criminals from the Assad regime in Syria, inspired by true events.

Tom Blyth and Russell Tovey lead a Sundance-prize winning ensemble in this knockout cruising drama from debut director Carmen Emmi.

Paul Kelly’s second collaboration with pop band Saint Etienne traces the hidden history of East London’s Lower Lea Valley before its Olympic makeover.

A gentle and sincere story of queer love between two young teenage boys, told with warmth and humour.

A journey from London’s suburbs to its heart, charting the influence of the city on indie pop band Saint Etienne.

The final part of Saint Etienne and Paul Kelly’s London trilogy follows the renovation and reopening of the Royal Festival Hall through 2005-7.