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A poetic tutorial about how to make an experimental film
A poetic tutorial about how to make experimental films. “The first part of the film is in colour and consists of arguments about how to make films and what film to make. The film then changes to black and white and the argument continues about houses and planning, with shots of the destruction of a house, and shots from other films of the houses it used to be. The arguments are not conclusive and the film is about doubts rather than certainties.” (Anne Rees-Mogg)
Founded in 1966, the London Film-Makers’ Co-operative started life at Better Books, a counter-culture bookshop on Charing Cross Road, where a group led by poet Bob Cobbing and filmmakers Stephen Dwoskin and Jeff Keen met to screen films. Initially inspired by the activities of the New American Cinema Group in New York, the London Co-op grew into a pioneering organisation that incorporated a film workshop, cinema space and distribution office. During its four-decade history, the Co-op played a crucial role in establishing film as an art form in the UK and participated in a vibrant international film scene. This BFI Player collection brings together new scans of films distributed by and/or produced at the London Co-op.