Clydebank. H.M. Ship 'Australia'

The famous Swan Hunter shipyards on the Tyne grease the slipway for another stirring launch in the prosperous 1950s.

Barnstaple's experimental concrete-hulled ship gets a visit from a jolly Italian admiral.

There’s breathtaking footage of the London’s docks at their bustling peak in this informative film celebrating the work of the Port Of London Authority.

Paul Rotha’s brilliant film of the building and launch of SS Orion from the shipyards of Barrow-in-Furness.

Two of the earliest surviving editions of the Topical Budget newsreel, released in the aftermath of the Titanic disaster.

The iconic Cunard White Star liner leaves the shipyard of her birth and ventures seawards for the first time.

An historic gem of a film, in three sections, from William Craven-Ellis featuring Queen Mary and the fabulous luxury liner that bore her name

Oil arrives at the Ayrshire coast: this fine documentary by Ruby Grierson tells the story.

A party of children take an eye-opening tour of John Brown's Shipyard in Clydebank.

"The Clydesiders are still a tough lot" - as evidenced in this behind-the-scenes tour of a 1960s Clydeside shipyard.

The steamship Princess Elizabeth glides down the slipway at Fairfield, Glasgow.

A majestic new passenger ferry, the Duke of Argyll, defies the winter weather and launches in style on the Clyde.

Over 30 years and 150 projects, the composer shares, with humour and passion, the intricacies of making film music.

Neil selected soundtracks for 127 Hours, Shame, Kick Ass, Control and many more. He discusses the job and its complexities, referencing his own work.

Tinker Tailor Soldier Spy's adapter reveals his quest for "the poem of the book" and the importance of simplicity: 'Drain the pond to find the fish'.

Composer of The Lives of Others, The English Patient and Betty Blue on intimacy and experimentation.

Lincoln, Braveheart and Magnolia make-up artist Lois Burwell explains how she created some of her most iconic looks, as part of a BAFTA Masterclass.

British cinematographer of The Hurt Locker, Captain Phillips, Hillsborough and Riff Raff reviews the art of the moving image.