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This visual diary, written by five hands instead of one, is an attempt to snatch the eternal out of the ever-fleeting flow of time.
As Far As Our Eyes Can See is an interpretation of Jonas Mekas’ idea of diary filmmaking through deeply personal expression made plural. Five people record whatever their attention was drawn to without any further instructions, expectations, or limitations, for 24 hours across the span of a week. The camera becomes an extension of five sets of eyes, recording the personal shared act of perception.