The Ninth Configuration

Unrivalled in its relentless vision of pure terror, Tobe Hooper’s horror masterpiece remains as brutal and horrific as it ever was.

David Cronenberg’s classic outbreak horror introduces us to a young woman (Marilyn Chambers) who hungers for human blood after an experimental plastic surgery goes wrong.

If you only see one Iranian vampire western this year, make sure it’s this one. A female vampire stalks a ghost town in Ana Lily Amirpour’s arresting debut.

After tragedy strikes, a couple retreat to a cabin in the woods in order to grieve. However, they find things go from bad to worse, in this brutal interrogation of nature from Lars von Trier.

English language version of Herzog’s stimulating take on the Dracula story starring Klaus Kinski, with echoes of Murnau’s 1922 Nosferatu.

An achingly funny mockumentary about New Zealand’s hitherto unknown vampire (and werewolf) communities, from the creators of Flight of the Conchords.

Bergman’s magisterial and sumptuous portrait of a 20th-century Swedish family.

Japanese cinema's enfant terrible, Sion Sono, unleashes this demented, whirlwind tale of cults, love, violence and perversion.

Bernard Rose updates Tolstoy's tale about the corrupting power of sex and jealousy, with Danny Huston as the wealthy husband of a beautiful, famous pianist (Elisabeth Röhm).

Acclaimed filmmaker Sean McAllister (A Syrian Love Story) returns to his hometown of Hull to profile local resident Steve Arnott, a struggling warehouse worker who harbours his own creative dream of breaking into hip-hop.

Michelangelo Antonioni's masterpiece stars Marcello Mastroianni and Jeanne Moreau as a couple re-examining their emotional bonds.

A group of weary travellers arrive at a spooky mansion with a madman on the loose, in this classic horror-comedy from James Whale (Bride of Frankenstein)

Robert Altman revisits the 1930s city of his childhood, vividly recreating its jazz clubs, speakeasies, political corruption and lively crime scene.

Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel. In her first feature since 2008’s The Headless Woman, Martel creates a richly layered exploration of personal malaise.

In her final film, Agnès Varda offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.

Kelly Reichardt's absorbing and beautifully composed western, set on the Oregon trail in the 1840s.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

Yasujiro Ozu’s beautiful domestic drama is piercing portrait of a marriage coming quietly undone in post-war Tokyo.