The Fabulous Baron Munchausen

Herzog’s intense, dreamlike mediation on desert life as if seen by an alien.

A young man strives to provide a home for his pregnant girlfriend and their unborn child, in Mark Jenkin's mid-length precursor to Bait.

Derek Jarman's passionate and poetic lament on the rise of Thatcherism and corporate dealings.

A distinctly bold and sensual reclaiming of gay history, Jarman here tells the sexually intense story of the 4th-century martyr.

On their latest jaunt, Iain Sinclair and Andrew Kötting set out to return a whalebone box to its place of origin in the Outer Hebrides.

Two billion years ahead of us, a future race of humans finds itself on the verge of extinction. Tilda Swinton narrates this visually stunning lament for humanity by acclaimed composer Jóhann Jóhannsson (Sicario, Arrival).

Karel Zeman's astonishing fantasy mixes live-action and animation to tell the adventures of a ploughman and a mercenery during the Thirty Years War.

Robert Altman revisits the 1930s city of his childhood, vividly recreating its jazz clubs, speakeasies, political corruption and lively crime scene.

Argentinian director Lucrecia Martel returns with a fine adaptation of Antonio Di Benedetto’s existential novel. In her first feature since 2008’s The Headless Woman, Martel creates a richly layered exploration of personal malaise.

In her final film, Agnès Varda offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.

Kelly Reichardt's absorbing and beautifully composed western, set on the Oregon trail in the 1840s.

Yasujiro Ozu's elegiac final film charts the inevitable eclipse of older generations by irreverent youth.

A constant fixture in critics' polls, Yasujiro Ozu's most enduring masterpiece is a beautifully nuanced exploration of filial duty, expectation and regret.