Real Boy

Sex, religion and politics are among the themes in the third part of Mark Cousins' monumental documentary on women's cinema.

Mark Cousins' epic journey continues with focuses on movement, simplicity of style, the story of films about children, dreams, the power of the close-up.

Mark Cousins' epic odyssey through female filmmaking represents one of the most ambitious and in-depth documentaries ever made.

Jean-Luc Godard intercuts footage of The Rolling Stones composing their classic Sympathy for the Devil with punchy agitprop sketches on the global anti-imperialist struggle.

Nic Roeg made this film of the first Glastonbury Festival to feature the pyramid stage - with a line up including Melanie, Terry Reid, Family, Fairport Convention, Traffic, Linda Lewis and Arthur Brown.

Following a personally difficult but artistically rewarding spell making films under house arrest, Jafar Panahi is back on the streets of Tehran.

Andrew Haigh's internationally acclaimed tale of a brief encounter between two gay men.

Desiree Akhavan directs and stars in this witty, razor-sharp and fearless comedy following the sexual misadventures of a bisexual Brooklynite.

An in-depth, behind-the-scenes look at London’s finest drag performers. Warning: extreme use of make-up and glitter.

A mother undergoing a gender transition meets his estranged daughter every Tuesday, changing gradually each time they meet. An intelligent indie hit about modern identity.

Tender drama from Céline Sciamma (Portrait of a Lady on Fire, Girlhood) about a ten-year-old child exploring a new gender identity.

Celebratory yet reflective documentary charting the LGBTQ+ movement's momentous journey towards equality.

Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.

The surviving, incomplete version of Ozu's moving silent drama about a young man struggling to deal with a disturbing family secret.

Ozu's comic pre-war feature about a professor who falls into the clutches of his audacious niece.

In a Japan recently devastated by World War II a devoted, near-destitute mother turns to prostitution to pay medical bills when her son falls dangerously ill.

Takahashi finds a creative way to avoid doing his revision in Ozu's roguish comedy, reminiscent of Harold Lloyd’s The Freshman.

Graduate Okajima finds his old-fashioned beard makes life difficult in Ozu's comedy exploring the tension between tradition and modernity.