Do Not Adjust Your Set (Series 1 episode 4)

This extended episode is an intriguing mixture of new material and newly shot reprises of sketches from the series.

Highlights in this episode include the terrific ‘Art Gallery’ sketch, with a Gumby-esque Terry Jones exhibited as a living art work.

As the series nears its conclusion everybody in the cast seems thoroughly at ease with each other, delivering both slapstick and cerebral sketches with smooth efficiency.

Tim Brooke-Taylor steps into Michael Palin's shoes as an 'uninvited' addition to the comedy troupe.

A more adult tone creeps into some of the sketches, in this second episode of the seminal series.

The last show of the first series sees everybody larking about somewhat.

In his first substantial feature-film role away from the involvement of his Monty Python cohorts, Michael Palin stars as a 19th-century missionary tasked with setting up a mission for fallen prostitutes.

Mr. Creosote, live organ transplants, salmon mousse... The Python's cinematic swansong contains some of the troupe's most notorious and hilarious sketches.

Terry Gilliam's first feature as a solo director, here gloriously restored, is a riotous tale of monsters, true love and medieval manners.

The DNAYS team were assembled for this festive edition featuring a variety of sketches, including a strangely sentimental item with Michael Palin as an unloved music-hall-style singer.

Here we meet Michael Palin’s prototype unhelpful shop assistant (a distinct precursor of many future Python characters), plus the Bonzos ripping up the stage with The Sound of Music.

A more adult tone creeps into some of the sketches, in this second episode of the seminal series.

Charting the rise of one of Britain's most distinctive film companies, HandMade Films, producer of classics such as Life of Brian, The Long Good Friday and Withnail and I.

In the outrageous spinoff from the animated series, Cartman and co. inadvertently instigate a war between the US and Canada.

This extended episode is an intriguing mixture of new material and newly shot reprises of sketches from the series.

Highlights in this episode include the terrific ‘Art Gallery’ sketch, with a Gumby-esque Terry Jones exhibited as a living art work.

The first episode made for Thames Television features Terry Gilliam's stunning yuletide animation, The Christmas Card.

Tim Brooke-Taylor steps into Michael Palin's shoes as an 'uninvited' addition to the comedy troupe.

This extended episode is an intriguing mixture of new material and newly shot reprises of sketches from the series.

Highlights in this episode include the terrific ‘Art Gallery’ sketch, with a Gumby-esque Terry Jones exhibited as a living art work.

The first episode made for Thames Television features Terry Gilliam's stunning yuletide animation, The Christmas Card.

Tim Brooke-Taylor steps into Michael Palin's shoes as an 'uninvited' addition to the comedy troupe.

A more adult tone creeps into some of the sketches, in this second episode of the seminal series.

The last show of the first series sees everybody larking about somewhat.

This extended episode is an intriguing mixture of new material and newly shot reprises of sketches from the series.

Highlights in this episode include the terrific ‘Art Gallery’ sketch, with a Gumby-esque Terry Jones exhibited as a living art work.

As the series nears its conclusion everybody in the cast seems thoroughly at ease with each other, delivering both slapstick and cerebral sketches with smooth efficiency.

Tim Brooke-Taylor steps into Michael Palin's shoes as an 'uninvited' addition to the comedy troupe.

A more adult tone creeps into some of the sketches, in this second episode of the seminal series.

The last show of the first series sees everybody larking about somewhat.

The death of punk icon and X-Ray Spex frontwoman Poly Styrene sends her daughter on a journey through her mother’s archives in this intimate documentary.

A young mixed heritage man confronts the psychological complexities of his identity in this essential, truly cinematic discovery for anyone interested in Black British cinema.

The monumental new diary film from New York-based director and photographer Khalik Allah.

Anthony Mackie and Jamie Dornan star as a pair of New Orleans paramedics who encounter a series of bizarre deaths linked to a new designer drug with otherworldly effects.

The modern face of protest is the focus of this timely and necessary documentary.

Wong’s masterpiece is a heartbreaking story of illicit love that pulses with the ache and agony of repressed desire.